FpV drone: Anti-Gravity A1 first flights — 360 goggles win, signal moans

17 hours ago   •   4 min read

By Sam
Table of contents

The Anti-Gravity A1 rewrites what a ready-to-fly FpV drone can show you. It pairs a true 360 camera with high-end goggles. That combo delivers an immersive view no other off-the-shelf quad currently matches.

The goggles steal the show — they feel like a VR headset married to FPV kit. The aircraft itself is competent but has odd quirks and radio weak spots.

TL:DR

The A1 gives a unique 360° FpV drone experience via stunning goggles and flexible in-software reframing. Flight is fine but not sporty. RF performance drops side-on. Editing needs special tooling.

Clear FPV goggles view showing Anti-Gravity A1 top plate, 'Ready to fly' HUD overlay and surrounding launch area.

First impressions and how it flies

Takeoff is conventional. The folding legs tuck away; motors sound normal. The control scheme, though, forces you to rethink body position — free motion mode makes the aircraft follow your head and hand. That creates a strange learning curve.

Crisp FPV goggles view of the Anti-Gravity A1 with 'In flight' HUD and telemetry visible over countryside

Two main flight modes: Free motion and FPV mode

Free motion ties yaw and view to your head — you rotate your body to look. FPV mode feels more traditional: wrist tilt controls yaw and altitude. Use FPV mode for filming; it’s far less faff.

Clear FPV HUD over farmland with 'low drone signal strength' warning and return-to-home overlay

RF behaviour and a major downside

Signal strength varies wildly by orientation. Front and rear give good reception, but side-on kills the link quickly. In CE regions the default bands are low power — switching to 5.2GHz helped only marginally. If you care about reliable HD feed, test this in your local conditions.

Anti-Gravity goggles UI showing flight control mode, customizable buttons and app grid over live view

Controller ergonomics — right-handed by design

The remote favours right-handed users. Lefties will reach awkwardly for C1/C2 and menu keys. That feels like an avoidable oversight for a product aimed at consumers and pros alike.

Goggles view with virtual cockpit selection showing 'Azure Dragon' overlay above a riverscape

Goggles and augmented fun

The goggles deserve praise. Large vertical field-of-view, pancake optics and AR overlays lift the experience. You can toggle virtual cockpits — dragon, plane, instruments — and kids will love it. From a hardware and UI standpoint, these are a standout feature.

FPV goggles view over countryside with 'Sky Path in progress' banner, waypoint route, telemetry panels and an obstacle warning

Autonomy: Skypath, SkyGenie and waypoints

Waypoint tools work. SkyGenie offers orbits and custom paths triggered by the remote. Workflow differs from touchscreen interfaces, but you can save routes and replay them — useful for repeatable shots.

FPV goggles top-down view showing riverbed and inset preview window, telemetry and 'In flight' banner

What the 360 camera actually buys you

The A1 records full-sphere clips you reframe later. You can create tiny-planet, tunnel and rewind-style edits from a single take. That flexibility beats a fixed gimbal if you want novel perspectives rather than raw front-camera resolution.

tiny‑planet view of beach and sky created from 360 drone footage

Editing workflow and file compatibility

Files need conversion and work best in Anti-Gravity Studio. Premiere Pro has a plugin; Resolve lacks one. Expect an extra step compared to regular drone footage, but you gain framing freedom and creative passes you can’t get from a fixed camera.

Clear FPV goggles view showing horizon, telemetry and 'In flight' HUD over farmland

Performance summary — where it shines and where it stumbles

The A1 is special. Its immersive FpV drone experience is unique today. Flight handling is solid for a camera quad but not agile. Image quality is decent, but cropping from two 180° lenses reduces clarity versus dedicated forward-facing cameras. The RF setup needs refinement.

Anti-Gravity A1 drone on an orange landing pad in grass

Verdict

If you want immersive footage and new framing possibilities, buy the A1 for the goggles and 360 workflow. If you want speed, simple hand landings or rock-solid side-on video links, look elsewhere. The A1 is a specialised tool — brilliant at what it does, flawed in other areas.

Where To Buy:
Amazon

Anti-Gravity Studio preview of A1 360 footage showing forward-right flight view, horizon and fields

Does the A1 let you fly backwards or hover sideways easily?

In normal free-motion mode the craft lacks an obvious reverse stick input. Close-range manoeuvres can feel clumsy; use the wheel control or switch to FPV mode for better handling.

Clear FPV goggles view showing horizon, 'In flight' HUD, telemetry and a prominent low drone signal warning over fields

Link reliability depends on orientation and frequency band. Front and rear views work well; side-on reception drops noticeably. In CE regions consider testing 5.2GHz and 2.4GHz for your local environment.

Anti‑Gravity Studio interface with 360 footage preview, timeline controls and media thumbnails, ready for export or conversion

Can I edit footage in DaVinci Resolve?

Not natively. Convert the A1 files first or use Anti-Gravity Studio. Premiere users can try the plugin; Resolve users must plan for a conversion step.

Wide FPV goggles view showing open landscape horizon and in‑goggles UI overlays

Takeaway box

  • FpV drone goggles are the A1’s killer app — huge vertical FOV and AR overlays.
  • Use FPV mode for practical flying; free motion is immersive but awkward near launch.
  • RF is orientation-sensitive — test front, side and back links before critical shoots.
  • Editing needs Anti-Gravity Studio or conversion — but unlocks reframing magic.
  • Not a sport flyer — designed for immersive capture, not raw speed.

This article was based from the video Antigravity A1 360 Drone First Flights Review - A Totally New Experience!

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